Claude Clero

White Birds - Lithograph by Claude Clero - Mid 20th Century

Mid 20th Century

Composition is a contemporary artwork realized by Umberto Mastroianni. Mixed colored litograph. Hand-signed by the artist on the lower left in pencil. Numbered on the lower right in...

Rosenquist Exhibition Poster is an original contemporary artwork realized in 1970. Offset poster realized in occasion of the James Rosenquist ex...

Abstract Composition is a beautiful original lithograph, realized in the 1970s by Luigi Veronesi . Hand-signed on the lower left. Numbered. edition, 4/99. In good conditions exc...

Abstract composition is an original Lithograph realized by Serge Hélias in 1962. Signed on plate lower left. On the same sheet: an Essay by Hubert Juin.

La Ligne is an original lithograph realized by Pierre Alechinsky in the 1970s. Good conditions, not signed. The artwork is depicted through soft strokes in ...

Ratio is an original Lithograph realized by Achille Perilli in 1970. Hand-signed. Numbered. Edition 34/99. Very good conditions. Achille Perilli (Rome, 1927) is an important Ita...

The work is a Lithograph, not numbered, but signed and dated by the artist, Piero Dorazio. The print has an intense color field with a strong linear element being composed of quadril...

Sam Francis (American, 1923-1994) Untitled (SF-233), 1977 Lithograph in black on Rives BFK paper, Pencil signed lower right Edition 6/20 Printed by George Page and published by The Litho Shop, Santa Monica, CA. Image: 26in H x 16in L. Full sheet: 30in H x 22in L In vintage acrylic box...

John Altoon (1925-1969) UNTITLED, 1966, color lithograph, hand signed in pencil and inscribed trail proof II, sheet 29 ¾ x 41 ¼, printed by Gemini G.E.L.,...

SAM FRANCIS 1923-1994 San Mateo, California 1923 – 1994 Santa Monica (American) Title: Untitled (SF-311), 1979 Technique: Original Hand Signed and Numbered Lithograph in Colours on...

John Altoon (American, 1925-1969) From the 'About Women' Series. Color lithograph 1965/66, Hand signed and editioned in pencil with the chop mark of Gemi...

SALE ONE WEEK ONLY "I. Traces grotesques" is an Artist’s Proof Lithograph. “Proofs” are either pulled or printed, and the artist has the option to work out the color and quality issues as they come out of the process. The only real difference between the two is the restricted quantity of prints bearing the AP designation and not the quality of the print. This lithograph is signed and titled by the artist, Jean Dubuffet, which indicates his complete satisfaction with the print. It is from 1958 and a perfect example of his style, “Art Brut.” His idealistic approach to aesthetics embraced what is called “low art”, art by non-academically trained artists. It is sometimes referred to as “outsider art.” He did study briefly at the Academie Julian, Paris, but eventually followed his own aesthetics which eschewed traditional standard of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making. This lithograph expresses the beauty he found in the meandering spontaneous black line. Jean Dubuffet began painting at the age of seventeen and studied briefly at the Academie Julian, Paris. He painted off and on for the next 20 years. It was not until 1942 in the midst of WWII in France that he began the work which has distinguished him as an outstanding innovator in postwar Europe. It is said of his work that “he looked to the margins of the everyday – the art of prisoners, psychics, the uneducated, and the institutionalized – to liberate his own creativity and coining the term ‘Art Brut’.” Art Brut is a French term that translates as ‘raw art’, to describe art such as graffiti or naïve art which is made outside the academic tradition of fine art. His paintings from the early forties in brightly colored oils were soon followed by works in which he employed such unorthodox materials as cement, plaster, tar and asphalt-scraped, craved and cut and drawn upon with a rudimentary, spontaneous line. Dubuffet worked in France and exhibited from the early forties on. He was included in the 1946 Pierre Matisse...